Like Knives Behind My Eyes

Suicide – or murder? Will scandal taint the Bank of Japan? Here’s Chapter one of Tokyo Summer – A Shig Sato Novella.

 

Chapter 1

 

“It feels like knives behind my eyes.”ssnovella1

Setsuko Usami said it so often her husband seemed deaf to it. She knew that their years together taught her that Taro would not understand it, not even try. Taro Usami’s indifference had become almost as painful as the migraines themselves.

At one time early in their marriage she was surprised and glad Taro asked about her headaches, if anything was wrong, but that stopped. Her migraines always returned and he was tired of feeling useless, and would say, “What could he do?”

He never had headaches. He didn’t know what to do.

Eventually Setsuko gave up. What could he do? He was a rising star at the Bank of Japan and they had a tiny four-room flat in Chuo and she was the mother of two teenagers. His life was outside the home. Her life had not changed since her 20s. She cooked and cleaned and shopped and succumbed to the incessant, unbearable beat of the never-ending demands of life in Tokyo.

Setsuko remembered when Taro would ask about her day, act like he cared. That was when they were young and the world held so much promise for smart young couples staking their claim to making a good life for themselves in the city. She sometimes thought that being young was the cause of that. Now they were in their 40s and she was weary and laid in bed for hours every day even when she didn’t have her migraines.

She held onto hopes, though. Like it being the year 1988, and thinking that perhaps this would be the year her luck would change. She had heard 88 was a lucky number.

But it was the end of May and she laid on her futon and suffered through her migraines and wondered if her luck would ever change, or if this really was her life. She wondered if she would ever get fed up and actually say something like “that’s the last straw.” She wondered what would it be, that straw that finally broke the camel’s back.

She wondered about it, idly at times, then forgot about it as a new day presented new problems. But the thought always returned. What would happen? What would it take?

 

The last straw came at the end of June. Plans for the children’s summer holiday had to be decided. Taro’s indifference infuriated her. He said he was busy at work. He said a promotion was in the works. He said he couldn’t get away because the timing was all wrong.

She kept asking. A trip with her sister and their children just didn’t happen on a whim. She needed to know. She needed to plan. Her daughter’s sullen peevishness was driving her mad – getting the girl to agree to anything was a battle in itself, now that she was 15 and in full rebellion mode. Her son was pulling away from her, as boys do when they become teenagers. He was 13 and had sprouted up and seemingly overnight his voice had dropped an octave. His charming little boy self was disappearing. Getting them both to agree to go with her sister and their children to Okinawa had been like moving heaven and earth. And in another year she knew it would be impossible to get anyone to agree on anything.

Setsuko Usami clung to the hope her plans had not gone to pieces. Then one evening Taro came home late and she was ready to have it out once and for all. But before she could get started he said, “I have to go to Singapore for the Pacific Rim finance ministers meeting.” He said it as if he was taking the car to a mechanic.

“What! When?” She prayed it wouldn’t interfere with their holiday. “When do you have to go?”

“You know when,” he said as he removed his clothes and left them where they lay and reached for the pajama bottoms she had laid out for him. He escaped to the bathroom.

“Taro! My plans! Why can’t–”

“It can’t be helped!”

Setsuko stared at the bathroom door until he stepped out. She collapsed onto her futon and watched Taro lay down with his back to her. A thunderbolt of nausea erupted from deep inside her gut and she ran to the bathroom.

Taro called out, “What is it now?”

“You know what it is!”

Taro turned off the light. A pink half-darkness beyond their window spilled into the room where they slept, the dim split in two by a rare moonbeam. Sleep came easily.

 

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Aroused from his slumber, Taro Usami realized he sensed Setsuko’s absence. He sat up and saw her unmussed futon. He listened for any household sounds. He heard nothing. Then he realized a need to relieve himself.

Stepping to the bathroom, half asleep, he wondered why the door wouldn’t open fully.

And why the light was on.

Once he managed to get his head in for a peek, he saw why. Setsuko lay on the floor, her body twisted, eyes open, mouth sagging, tongue limp, strands of hair matted on her forehead and cheek. An empty prescription medicine vial lay inches from her fingertips.

Later, his children would say he shouted “Setsuko” over and over.

Taro Usami would say he didn’t remember.

To pre-order a copy of  Tokyo Summer, click here. To sign up for for great deals and advance notice of more great Shig Sato stuff, just click here. Be assured your information is safe – I hate spam and never share information.

 

Meet Lubna Sengal, a Twisted Tales author

To paraphrase Forrest Gump (and his momma): “twisted is as twisted does”- so grab your ebook copy of Twisted Tales (or a print copy by clicking here), a Readers’ Choice selection of short fiction from Readers’ Circle of Avenue Park. Literary lies, epic yarns – it’s an eclectic collection of stories by authors from around the globe.

Twisted Tales 15LitLiesEpicYarnsFINAL

In today’s Meet the Authors series I’m delighted to welcome to the blog Lubna Sengul.

Your story  Julian: Rise of the Prophecy appears in the Readers Circle of Avenue Park’s recent anthology Twisted Tales. What made you decide on that story? 

Julian is actually the beginning of the sequel to my first novel The Danfians Prophecy. The first three chapters of Julian can actually be read on their own, without reading the first book and the way it is left hanging adds mystery to it. It can be read and enjoyed as a standalone short story.

Did you find writing a short story easier or harder to write than what you’ve written in the past? 

I find writing any project, short, novels and play’s just as demanding as each other.  The creative energy is the same as I need for longer writing projects.   It is easier to edit a short story – less to look through.

Lubna

Lubna Sengul

Who has been an important influence on your journey as a writer?
My husband, Birtan, he encouraged me to do it and supported in my quest to become an author.
Who are some of your favorite authors?
Some of my favorite authors include but not limited to are: J.K Rowling, MC Scott (Manda Scott), Khaled Hosseini, Tim Willocks, Stephanie Meyers, Anne Rice, Virginia Andrews, Andrea Levy. As you can see my reading taste fits into many genres, but nothing feeds my mind like a good sci-fi/fantasy that has a romance element to it.
What’s your next project?
To complete Julian and to attempt to write another play and a sequel to another short story of mine, The Chronicles Of Natasha Khan.

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Stay tuned for more Meet the Author interviews. For your copy of Twisted Tales, just click – and f you like what you read in Twisted Tales you’re invited to leave a review on Amazon. Thanks!

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cropped-cropped-fbcoverthisishow.jpgJoseph Mark Brewer writes the Shig Sato mysteries. Mix up some Kurt Wallander and Japan Noir and you have a new series set in the heart of Tokyo. Click for your copy of The Gangster’s SonThe Thief’s Mistake , or Traitors & Lies – and to read how it all began, download my prequel novella Tokyo Summer at josephmarkbrewer.com

Suicide or murder? A Shig Sato bonus novella just for you!

ssnovella1Of all the summer projects I chose to tackle after relocating to Austin, Texas, the most challenging – and most fun! – was writing my first Shig Sato novella, Tokyo Summer. But it is available only to my email list subscribers. So don’t miss out. Click here to sign up for all the Shig Sato news and this Shig prequel, Tokyo Summer, available Sept. 28.

Here’s a sneak peek:

Junichi Ohto was a 30-year veteran of the Tokyo Metropolitan police. Thin and bald and with a smoker’s hack, he would never admit that being a detective at such a small outfit like Tsukishima Police Station was as good as his spotty career would get.

There had been days when he still had his hopes. At first, catching the Usami case that late June evening had given him hope that a good murder would put him right with his boss. But within minutes of taking in all the details he knew it was suicide. Typical domestic turmoil, husband some sort of mid-level big shot at the Bank of Japan. Wife a typical “education mama” who lived for her kids passing their college entrance exams. Why she swallowed a vial of valium was anyone’s guess.

“If she wanted to kill herself she could have jumped into the Sumida River and saved us all a lot of trouble,” he said to his partner, a detective so young and green he barely spoke a word other than “yes” and “excuse me.”

It didn’t take long for them to wrap up their interviews and file that case away.

“All we need are the toxicology reports,” Ohto told his station chief. “Not gonna get anything from them, either, I bet.”

Then, a few weeks later, Ohto’s boss said, “That Usami case? Murder.”

It hadn’t been a pleasant morning. Admonished like a rookie, scorned for being old and useless, Ohto knew the toxicology report made everyone in the station look bad.

Ohto lit a Seven Star cigarette and coughed for a minute after inhaling the delicious smoke. He wondered how quickly he was going to get demoted behind once Division took over the case. His boss had said that Sato asked for Ohto. By name.

He heard that the detectives picking up the case at Division were Ken Abe and Mo Kato, two officers he knew and resented for being the types the higher-ups liked. Kato could wait out a glacier for one key clue. And Abe. Ohto had seen for himself how Abe’s strange sense of smell had led to the arrest of a cross-dresser simply by identifying perfumes, lotions and body secretions no self-respecting man would know the first thing about.

But Inspector Shig Sato. He knew then that he was in trouble. Sato left no stone unturned. Ohto knew he was bound to be grilled like a tuna.

He smoked the cigarette down to the paper filter in 27 seconds then lit another before hitching a ride to Chuo. Ohto made it into the station with what little dignity he could muster, his eyes focused on what was in front of him as he quickly walked to Criminal Investigations.

After the usual greetings Ohto took a seat by Sato’s desk. He wasn’t prepared for Sato’s tactics. A junior police officer brought tea Ohto didn’t want, but recognized the gesture for what it was, nodded his thanks, and resisted the urge to light up a cigarette.

“Ohto, I’m sure you did your best with the information you had when you were handed this Usami case.”

Ohto tilted his head to one side, admitting nothing.

“Here’s how it is. I don’t care what happened then. I care about now. Now it’s a murder investigation. Now we have to start as if it’s hour one.”

“I see.”

Sato saw that Ohto did not see.

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To get your copy of Tokyo Summer, just click and you’ll be reading in no time.

 

Meet Robyn Cain, a Twisted Tales author

To paraphrase Forrest Gump (and his momma): “twisted is as twisted does”- so grab your ebook copy of Twisted Tales (or a print copy by clicking here), a Readers’ Choice selection of short fiction from Readers’ Circle of Avenue Park. Literary lies, epic yarns – it’s an eclectic collection of stories by authors from around the globe.

Twisted Tales 15LitLiesEpicYarnsFINAL

In today’s Meet the Authors series I’m delighted to welcome to the blog Robyn Cain.

While in high school, Robyn Cain’s writing dreams budded and waned. Those dreams were rekindled after accomplishing a first class honours degree in English/Writing, and a PGCE.  Robyn went on to complete her Masters in Creative Writing and taught English and creative writing.

Most of Robyn’s books are set in Cheshire, incorporating British and Asian cultures. Each novel is in a different genre.
Seven Stops is a contemporary fiction novel; Goods By Hand and its sequel, Footsteps of Galatea, are supernatural novels set in modern day; and A Fine Balance, is a crime thriller novel. She Dreamed of Flash Fiction and Manna For Heaven are collections of mixed genre short stories. Devil’s Crochet is a collection of interwoven, supernatural stories.  Other short stories by Robyn have been published in India. Robyn is currently working on the sequel to Seven Stops.

Your story Insanitary appears in the Readers Circle of Avenue Park’s recent anthology Twisted Tales. What made you decide on that story?

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Robyn Cain

I’ve been writing a lot of short stories for a while and many have been about animals or from an animal’s perspective.  As soon as I knew the title of the collection was Twisted Tales, my mind went into over drive.  Who doesn’t love a tale with a twist!  I’d been de-cluttering, sorting through my books and came across a very old copy of Jekyll and Hyde.  I’ve always been fascinated by the human dual character/personality – especially when it’s in literature.  I then just went one step sideways to create ‘man/woman’s best friend’ and fell in love with my little, very intelligent ‘Scruffy’.  He knew the difference between right and wrong and only broke the rules because ordered to. I don’t have any pets but many of my friends do and the relationship/interaction is fascinating.  After some internet research for authenticity, the result was my little story.

Did you find writing a short story easier or harder to write than what you’ve written in the past?

I normally enjoy short story writing as gap fillers to keep my writer’s block away.  Having not long finished working on a collection of connected horror/supernatural stories called The Devil’s Crochet, writing for inclusion in Twisted Tales made perfect timing.  Writing/creating a piece, whether it’s a short story/novel/book/flash fiction, varies.  It’s the final production, or letting it go that’s hard.  Short stories are easier to edit because there is less content and the more you write the easier the process does become. This particular story, Insanitary, was easier mainly because we were given a deadline and I’m good with them.  It helped me to edit less, proof read faster and then let the piece go winging its way onwards sooner than I would have with a self imposed date.  I find it hard to be strict with me; who’s going to tell me off for not handing work in on time?!

Who has been an important influence on your journey as a writer?

There’s been no specific event or one person influencing my life or journey as a writer.  It’s been something I’ve always wanted to do since I learned to read English.  Being brought up in a very strict Indian environment, I loved the adventures, freedom and escapism, (and all that forbidden bad stuff) that books allowed me.  But because they didn’t address the dual culture that I belonged to and dealt with on a daily basis, I just knew that one day, I had to have heroines that felt and knew life as I did.  My opportunity to write seriously was a long time coming.  I joined a writers’ group when I had my daughter.  I really enjoyed it.  There have been many good friends who write and have been there listening to my efforts as I trod the ‘learner writer’s path’.  My first serious novel, Seven Stops, was started during my MA where I had a lovely tutor, Paul Magrs, who was very encouraging and positive. If I’d had someone different, then who knows.  Sometimes life still ends up at the same point.  I’m very fortunate to be doing something I really love.

What’s your next project?

This is a tricky one to answer.  There are so many things I want to be writing right now but I’ve just moved house and most of my time and effort is going on that.  Once I’m able to knuckle down to the writing it’s going to be a choice of two.  I know what I’d like it to be and I know what it should be.  One is the sequel to my first published novel, Seven Stops which I mentioned above.  Eighth Stop (working title) is close to my heart, which is probably why I’ve fiddled with it for over a year and not got beyond writing the first three chapters.  I was almost seven years writing Seven Stops and became very attached to my characters.  The other project is editing a ghost novel, Badger’s Inn, (working title).  I completed the draft in 2013. The ghosts live in a fictional town juxtaposed with the ‘real’ that they haunt.  It’s a light hearted look into government/council trickery, and how officialdom determine to get their own way by fair means or foul.  Of course by the time I’m done editing, the plot could have changed completely, as is what usually happens with anything I write.  Both of these books have been warring with one another for so long that they are stuck shoulder-to-shoulder, neither allowing the other to make it through the doorway.  Basically I’m suffering from the proverbial decision making disorder!

Please share a little more of your writing background.

This should be the easiest to answer but I’d probably have to write a book on it.  How long have we got?  I think the short version might be saner.  In a way I feel my journey isn’t that dissimilar to many other writers.

I have loved reading since being able to read.  I never missed an English lesson at high school. It was probably the one class I spoke up in.  I wrote stories and my teacher always praised my imagination and criticised my handwriting; so glad I learnt to touch type.  I can’t remember how, but one of the best days of my life was finding out about the library.  Not much kept me away from there.  I went and always took out the maximum number of books allowed as often as my parents permitted me to go.  I read prolifically and would stay up late into the night, even using a torch under the bed clothes.  My teenage reading years devoured many series.  I loved books on horses, such as Black Beauty and Flicker alongside well known classics like Little Women, Heidi, the Chalet books etc.  Later I was drawn to romance/history and spent years sighing over the strong silent type heroes depicted by authors such as Jean Plaidy.  And then I discovered fantasy/SF/horror and I started to collect Michael Moorcock, Asimov, Eddings and more.  My writing sort of reflects my reading; I have a love of many genres. I got married and started reading all things romance.  The first full length novel I wrote (50k words) was for Mills and Boon. They sent me a lovely, encouraging rejection. I’ve run (and still do) writers’ groups, published anthologies, and have taught creative writing at a local college. I get a buzz from listening to, reading, critiquing and encouraging fellow writers.  I was commissioned to write a play and had another performed in my local town and I’ve had several short stories published, here and in India.

Where can readers reach you?

My books, novels and collections of short stories/flash fiction, are all available on Amazon.  But when it comes to social media, I hold my hand up and say that I’m terrible at keeping up. My blog is only sporadically updated.  I have a Facebook account that I only visit now and then.  Twitter I suppose is the one I do the most and even that not regularly.  As to Goodreads, Pinterest etc, I joined but can’t even remember when I last logged on. There just never seems to be enough time.  Sorry!

The links for all three are:

Twitter @ https://twitter.com/RobynCain2
Blog: http://www.robyncain.blogspot.co.uk/
Facebook: https://www.facebook.com/robyn.cain.12

My book covers

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Stay tuned for more Meet the Author interviews. For your copy of Twisted Tales, just click – and f you like what you read in Twisted Tales you’re invited to leave a review on Amazon. Thanks!

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cropped-cropped-fbcoverthisishow.jpgJoseph Mark Brewer writes the Shig Sato mysteries. Mix up some Kurt Wallander and Japan Noir and you have a new series set in the heart of Tokyo. Click for your copy of The Gangster’s SonThe Thief’s Mistake , or Traitors & Lies – and to read how it all began, download my prequel novella Tokyo Summer at josephmarkbrewer.com

The World of Shig Sato: Food in Japan

A reader discovering the world of Shig Sato will soon learn that food becomes in interesting side character – Miki’s breakfast of miso soup and rice, Abe’s early life growing up in a ramen shop, Ses Fujimori’s love of okonomyaki, Shig’s lunchtime katsudon, even Mos Hishida’s nickname, a result of his steady diet of Japanese-style hamburgers. Any reader not familiar with Japanese cuisine might wonder at it all. In truth, the food of Japan is as simple as it is varied.

The simple: fish and rice. But is that really all there is? It doesn’t begin to encompass the world of sushi, much less the whole of Japanese cuisine. The popular Japan Talk website lists 100 types of sushi. Notice that fish, vegetables, eggs, meat – it’s all included – enough variety for almost any tates. Sushi, sashimi, makiit can take minutes to prepare, a lifetime to master.sushi

The importance of rice in Japanese culture cannot be overstated. The language uses the word gohan for “meal” as well as “cooked rice.” Gohan is a part of each word signifying breakfast, lunch and supper. In feudal times, wealth was measured how much rice one possessed and peasants were keenly appreciative of a payment in rice for their labor – coins were no good to them when they had to eat. Japan’s propensity for natural disasters, and it’s involvement in war, often led to a scarcity of food. Rice stockpiles were worth fighting for.

As an nation comprised of many islands large and small, a reader would be right in thinking that all types of seafood is a part of the Japanese cuisine, from the common tuna to the exotic –  pufferfish, anyone?

What many Western readers of the Shig Sato series may not realize is that farming – livestock, grain, vegetable, fruit, any combination and variety – can be found in most of the nation’s 47 prefectures. Almost any grocery store or market will have fresh local produce, seasonal fruit, cuts of meat and poultry, and packaged foods like curry mixes and spices. (When my in-laws came to visit from Canada, flour and vanilla were found and donuts were produced in an afternoon!)

OLYMPUS DIGITAL CAMERAOne may not think of baked goods when thinking of Japanese cuisine, yet the tasty sweets and snacks appeal to young and old. And it doesn’t take much to find pan – bread – and some have even embraced the staple, when it’s made with rice flour.

The varied: Being an international city, Tokyo is home to an array of dining experiences any world traveler would appreciate. Michelin stars are not unknown in the city. Gourmets and foodies alike can find were the finest food is served, and also the stores that sell the products for those daring and talented enough to create at home.

Regional specialties abound. I’ll conclude with this list of a prefecture’s favorite dish. See if you don’t recognize some, and have probably eaten some others (and some not!).

Hokkaido – Grilled mutten

Aomori – Sea urchin and abalone

Miyagi – Oysters

Yamagata – Potato stew

Fukushima – Pickled herring

Ishikawa – Turnip sushi

Gifu – Potatoes with sweet chestnuts

Nagano – Buckwheat dumplings

Aichi – Deep fried chicken wings

Tochigi – Giyouza (potsticker) dumplings

Chiba – Steamed peanuts

Kanagawa – Curry

Mie – Lobster

Shiga – Duck hot pot

Osaka – Okonomiyaki

kobebeefHyogo – Kobe’s famous beer-fed beef

Tottori – Snow crab

Tokushima – Buckwheat porridge

Nagasaki – Sasebo burger (thanks to the navy base there)

Kukamoto – Sliced horsemeat

Miyazaki – Kyushu-style fried chicken

Okinawa – Fried pork belly

Next time: A Day in the Life of Shig Sato

To download a free copy of my ebook mystery The Gangster’s Son click here,  and for a bonus novella, just click here.  

The World of Shig Sato: The Streets and Locales of Shig Sato’s Japan

In the world of our hero, Shig Sato is a denizen of the streets and neighborhoods of Tokyo. From his home in Hyakunincho to Azabu Police Station to the American navy base in Yokosuka, Shig lives by his dictum “follow the clues.”

Some say New York is comprised of neighborhoods. This describes Tokyo. A prefecture in its own right, the city has been the center of culture and politics for four hundred years. Once known as Edo, the city had over a million people by the middle of the 18th century. The Meiji restoration brought the imperial family from Kyoto to Tokyo in 1868, Tokyo became the capital, and Western ideas and customs slowly came to the island nation.

history02_il02

The greater Tokyo region is made up of Tokyo and the prefectures of Chiba, Saitama and Kanagawa. The Kanto region include the prefectures shaded in light green. Sato’s family is from a neighborhood in Kawasaki, Kanagawa. It and other parts of the broad flat area around Tokyo Bay is known as the Kanto Plain. A devestating earthquake struck the area in 1923. In Shig’s lifetime, he witnessed the bombing of Kawasaki during World War II, and the rebuilding that came afterward.

skyscrapers

Shinjuku, famous for its skyscrapers as well as its entertainment district,  is one of the 23 wards of Tokyo. Many visitors to Tokyo know some of the wards by name without realizing it. For example, Shinagawa, Shibuya and Shinjuku are major train stations on the Yamanote commuter loop line encircling inner Tokyo as well as wards, or districts, in the city. And talk about densely populated – Shinjuku has 11,000 residents per square kilometer!

Shig and Miki’s home is in the Hyakunincho neighborhood, north of Okubo-dori, in Shinjuku. Sato’s beloved Azabu Police Station is on Roppongi-dori in the heart of the fashionable Roppongi district of Minato ward, the government, business, entertainment and fashion hub of the city south of the Imperial Palace.

map_of_tokyo

In the book one of the Shig Sato mysteries, The Gangster’s Son, yakuza boss Ses Fujimori likes to escape his worries by visiting the Shinjuku Gyoen National Garden. The city has many parks and gardens, some a part of shrines, some previously estates of the wealthy and powerful.

garden_shinjuku

On the map of Tokyo it is due west of the Imperial Palace and south of Shinjuku Station. Shig and Miki’s home is less than a mile north of the park. The map also makes note of Akasaka, where Sato and Ken Abe set up their private investigator office after they leave the Tokyo Metropolitan Police Department.

yokosuka2

But as reader’s of The Gangster’s Son know, Sato will leave the city to track down suspects. For example, Sato and Detective Hisoka Endo travel to the American navy base in Yokosuka, in Kanagawa Prefecture. The military presence there and in Yokohama, about halfway in between Tokyo and Yokosuka, date back to the American occupation that began after the war and lasted until the early 1950s.

takatsuvillage

Sato’s respite from the city is his return to his family’s home in Takatsu, a ward in the city of Kawasaki along the Tama River. In the Takatsu of 1991, his neighborhood remains populated by families who fondly remember his mother, grandmother, and the family bakery that remained in operation through the 1960s. Several of the homes in that neighborhood, including Sato’s, remain. For Sato it is home, as much as his modest house in Hyakunincho. It is there he spends the summer of 1991, at a loss with what to do with himself as the events of his life unfold in ways he dreaded but must face. It’s there that, in the beginning of book two, The Thief’s Mistake, Ken Abe fetches Sato from his private sorrows.

Join Sato and Abe as  they follow the clues to places unlike another other – the streets, mansions, slums, suburbs, estates, highways and neighborhoods of Tokyo.

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Some locales in The Gangster’s Son and the distances

Hyakunincho to Azabu police station on Roppongi-dori – 7.6k, about 4.7 miles, a 25-minute drive, about 30 minutes by public transportation

Azabu Police Station to Yokosuka American navy base – 68k, about 42 miles, about 1 hour 45 minute drive

Hyakunincho to Takatsu, Sato’s family home, – 20k, about 12.5 miles, about 40-45 minute drive

To download a copy of my ebook mystery The Gangster’s Son click here,  and for a bonus novella, just click here.  

(maps courtesy Tokyo Municipal Government, Lonely Planet, BBC, photodiary.org, Google)

Sato goes looking for a Marine

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(Sato learns the victim’s ex-boyfriend is a U.S. Marine who is nowhere to be found. Sato knows it can take days to find someone in a city the size of Tokyo. He has a decision to make: go through official channels, or call a Navy investigator he has met in the past. – An excerpt from The Gangster’s Son).

Sato pulled a small leather business card holder from his coat pocket, opened it, and sighed.
His fingers knew almost by intuition which card to pull – Agent Michael Anderson, Navy
Investigative Service, Naval Forces Japan, Yokosuka Navy Base.
Mike Anderson had written his home phone number on the back of the card Sato now held.
At the time, Anderson said, “In case you ever need to call me. Any time, day or night.”
He had said those words four years earlier, when he met Sato on a case involving an
American sailor trying to buy marijuana on Roppongi’s main thoroughfare from another
foreigner the police happened to be tailing. Anderson seemed embarrassed for his countryman, and seemed to apologize for taking Sato away from more important duties.
“Call me if you need anything,” Anderson had repeated, “any time, day or night. This is my home number.”
Sato never did, not even the second time, when an American sailor was the cause of a
serious disturbance at a Roppongi nightclub that did not appreciate the presence of any
Westerners. That time, Anderson said he appreciated how Sato handled the case, keeping the sailor out of a Japanese jail cell, and repeated the offer: if there was ever anything he could do, just call.
Sato never understood the easy American attitude, “just call.” He preferred to keep police matters official. It was always much easier that way, in the long run. But that early Saturday morning, with a young woman dead and her GI boyfriend missing, Sato knew he had to do what Anderson said.
Just call.
He stared at the number.
Official channels would undoubtedly take too long.
Sato sighed, and dialed the number.
The sharp double ring of his bedside telephone blasted Mike Anderson into the here and
now. Before his mind caught up with his reflexes, he was sitting up, placing the phone to his ear, and saying “Hello?” It was not that he was still asleep; it was that he had never once in his time in Japan had his home telephone ring at 2 a.m.
But years of waking up alert and ready did not prepare him for what he was about to hear.
“Agent Anderson, this is Inspector Sato of the Tokyo Metropolitan Police. I am sorry to
bother you at this hour. I am investigating a murder. And I am looking for a Marine.”
Sato? Murder? Marine?
Anderson could not have been more surprised if Jesus Christ himself was on the phone.
“What can I do for you, Inspector?” Mike Anderson’s image of Sato quickly came to mind: competent, commanding bearing, but at that moment, unable to recall the last time he had spoken him. Anderson, a former Marine, was solid and squat as a fire hydrant, with a blond brush cut, deep-set blue eyes, and a low rumble for a voice.
“I know this should go through official channels,” Sato said, “but I need to talk to a Marine, a Lance Corporal Charlie Jones. I interviewed two other Marines who came up here. I let them return to their rooms at the Sanno. I don’t think I’m going to need to talk to them again, but this Jones was the victim’s boyfriend. Or former boyfriend. I need to find him.”
“A murder?” Anderson’s mind was slowly catching up to reality. While he listened to Sato, he turned on the light by his bed, found pants thrown over a chair, and tugged them on.
“Yes.”
“Do you know what unit he’s attached to?”
“The other Marines said the flagship.”
“Ah. Blue Ridge. And you said those Marines are on liberty? They aren’t AWOL or
something?”
Unsure of what Anderson meant, Sato said, “They are at the Sanno right now.”
“Okay.” Bending over a dresser drawer, fishing out socks and tugging them on, Anderson
said, “If they’re at the Sanno then they’re probably on liberty. I’m going to call the Officer of the Day and the Shore Patrol, get them looking for Jones, whoever he is. You think this Marine did it?”
Sato hesitated. “We have some clues to follow up on. But Jones left the scene. I’m not sure how it all fits together. I need to talk to him.”
“Damn little to go on there,” Anderson thought to himself as he tied his shoes. What would he tell the Marines? The base people? The admiral?
“Can you give me any idea what I’m dealing with here?” he asked.
“We’ve just begun the case,” Sato said. “We’re talking to everyone. Putting things together. It’s all preliminary. But I need to talk to that Marine.”
“Understood.”
Feeling more confident now that he was dressed, Anderson said, “I’ll call you the minute we find Jones. Charlie Jones, right? Flagship, right?”
Sato only knew what he had been told by Johnson and Ballard, so he said, “The other GIs
are called Johnson and Ballard. Both … black Americans.”
“Got it. Give me your number.”
Sato recited the station’s main number with scant hope of hearing from Anderson anytime soon, but now he was hours ahead of anything headquarters could do. With so many GIs in Tokyo, Sato calculated finding one would take at least one day, maybe two.
“Thanks for calling, Shig,” Anderson said.
“Thank you. Good-bye.”
Anderson stared at the phone, then sat back on the bed, replaying the conversation in his head.
“A Japanese cop calls in the middle of the night, needs to talk to a Marine. Pronto.”
Anderson thought this over. He knew Sato. He knew this was no quid pro quo, no “you help me, I help you.” Anderson had been an agent for fifteen years. His dad was a cop. Anderson knew all about trading favors. Japanese cops did not trade favors.
Anderson believed that what had just happened was something called on — at least, that was what he had read in some books before he came over. He had to be told it was pronounced own, like owning something, and sometimes it was called gimu, or giri. But he knew it meant obligation. Or duty. All the Japanese had it, and the sense of doing right by it, of being in someone’s debt for a kindness or a service. He knew it pervaded the whole country.
Anderson recalled that from the time a Japanese person is old enough to make sense of the world, this obligation ruled his life. It affected everything. He knew no Japanese person willingly brought on any more obligation than they had to, because they knew at some point, it had to be repaid. No favor was too big. No request was too small. It had to be repaid.
And Sato calling him in the middle of the night? Looking for a Marine? That had to be some big giri.
For the hundredth time since arriving in Japan, Anderson realized he would never make
sense of the Japanese.

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